2,994 Free Artworks of Architectural Prints In The Metropolitan Museum Of Art

department of drawings and prints, metropolitan museum of art woodcut woodcuts by isabella parasole in the metropolitan museum of art isabella parasole the elisha whittelsey collection etching print polifilo giancarli anonymous 17th-century art from venice in the metropolitan museum of art rogers fund - drawings pen and brown ink over leadpoint

Theater of the Noble and Virtuous Women..., page 22 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Theater of the Noble and Virtuous Women..., page 21 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Theater of the Noble and Virtuous Women..., page 34 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Theater of the Noble and Virtuous Women..., page 45 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Theater of the Noble and Virtuous Women..., page 31 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Theater of Noble and Virtuous Women..., page 35 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Theater of Noble and Virtuous Women..., page 4 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Theater of Noble and Virtuous Women..., page 20 (recto), Isabella Parasole, 1616

woodcuts by isabella parasole in the metropolitan museum of art maurizio bona (printer)

Candelabra Grotesque with a Cat, Andrés de Melgar, circa 1545–60

department of drawings and prints, metropolitan museum of art drawings by andrés de melgar

Horizontal Panel Design with Three Male Figures Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with Two Young Male Figures between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with Two Male Figures and a Putto Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with Two Young Male Figures Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with Three Young Male Figures Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design Filled with a Meandering Acanthus Rinceau and Two Fantastical Creatures., Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Three Androgynous Figures and a Sphinx Combined with Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Male Figure, a Putto and a Snake Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with Two Hybrid Creatures Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Man and Two Fantastical Creatures Interspersed between an Acanthus Rinceau, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Three Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

Horizontal Panel Design with a Young Man and a Fantastical Creature Interspersed between Acanthus Rinceaux, Polifilo Giancarli

anonymous 17th-century art from venice in the metropolitan museum of art polifilo giancarli

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, Rudolph Ackermann, 1809–28

department of drawings and prints, metropolitan museum of art rudolph ackermann

Plate 17: Aeneas welcomed by King Euandrus in Italy; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Cornelis Galle the Elder, 1636

department of drawings and prints, metropolitan museum of art cornelis galle (i)

Plate 2: Two-handled vase with a nude figure on a pedestal at center, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605

prints by cherubino alberti baroque

Title page depicting a two-handled base with dancing nymphs, from Antique Vases (Vasa a Polidoro Caravagino), Polidoro da Caravaggio, 1605

department of drawings and prints, metropolitan museum of art prints by cherubino alberti

Plate 1: Ferdinand as Mars, standing on a pedestal; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Pieter de Jode II, 1636

department of drawings and prints, metropolitan museum of art pieter de jode (ii)

Peleus and Talamon, from the series 'Vessels of the Argonauts,' for the wedding celebration of Cosimo de' Medici in Florence, 1608, Remigio Cantagallina

department of drawings and prints, metropolitan museum of art remigio cantagallina

View of the Roman Forum, looking toward the Palatine Hill, from the series 'The Small book of Roman ruins and buildings' (Operum antiquorum romanorum), Hieronymus Cock, 1562

hieronymus cock renaissance

Design for a Decorated Console with Two Slaves on Top of an Eagle, Giuseppe Bernardino Bison, between 1762 and 1844

department of drawings and prints, metropolitan museum of art giuseppe bernardino bison

Interior of the Church of Saint Katherine’s with the Parable of the Mote and the Beam, Daniel Hopfer, circa 1530

architectural prints in the metropolitan museum of art etchings by daniel hopfer

Design for Patterned Silk, Jean-François Bony, circa 1780–1825

department of drawings and prints, metropolitan museum of art jean-françois bony

Design for the Costume of a Slave, for the Ballet 'La Tragédie de Salomé', Léon Bakst, 1912

department of drawings and prints, metropolitan museum of art scenic designs by leon bakst

Design for a Wall Elevation, Simon Schijnvoet

department of drawings and prints, metropolitan museum of art simon schijnvoet

Design for a Wall Elevation, Simon Schijnvoet

department of drawings and prints, metropolitan museum of art simon schijnvoet

Design for Stained Glass, Hans Jakob Plepp, circa 1590

department of drawings and prints, metropolitan museum of art hans jakob plepp

Design for Stained Glass, Hans Jakob Plepp, circa 1590

department of drawings and prints, metropolitan museum of art hans jakob plepp

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Designs of Braziers whose Ornaments can be Used for Bowls, Tables, and other Goldwork, Plate 1, Alexis I Loir, between 1660 and 1713

pierre mariette ii alexis i loir

Pantomime with fireworks performed for the marriage of Emperor Leopold I to the Infanta Margarita of Spain in Vienna, 1666, Melchior Küsel

department of drawings and prints, metropolitan museum of art melchior küsel

“The Third Knot”. Interlaced Roundel with Eight Wreaths and a Scalloped Shield in its Center, Leonardo da Vinci, before 1521

the fifth knot by albrecht dürer high renaissance,renaissance

Blouse japonais, from Costumes Parisiens, George Barbier, 1913

fashion plates in the metropolitan museum of art george barbier

Sketch of a Palace Interior., Ferdinando Galli-Bibiena, between 1700 and 1774

ferdinando galli da bibbiena antonio galli da bibbiena

Sketch of a Palace Interior., Ferdinando Galli-Bibiena, between 1700 and 1774

ferdinando galli da bibbiena antonio galli da bibbiena

Sketch of a Palace Interior., Ferdinando Galli-Bibiena, between 1700 and 1774

ferdinando galli da bibbiena antonio galli da bibbiena

'Fantaisie sur le costume moderne': Two female haute couture figures, Léon Bakst, 1910

department of drawings and prints, metropolitan museum of art textile design by léon bakst

Celebration for General Peace given in Paris on 18 Brumaire. Pont and Place de la Concorde., François Sablet, 1801–2

works by jean-françois sablet francesco piranesi

Twenty-four riders dueling and forming two columns, from 'La Gara delle Stagioni', Stefano della Bella, 1652

prints by stefano della bella in the metropolitan museum of art baroque

A shore framed by rocks, with Neptune in his chariot on the left and Salacia in hers on the right; at center, a ship caught in a storm; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668

department of drawings and prints, metropolitan museum of art ludovico burnacini

Plate 35: Philip of Spain as Neptune, riding in a chariot drawn by two sea horses; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...', Pieter de Jode II, 1636

department of drawings and prints, metropolitan museum of art pieter de jode (ii)

Vertical Panel with a Candelabrum Containing a Child's Head and a Woman with Two Fish Tails, Heinrich Aldegrever, 1528

department of drawings and prints, metropolitan museum of art ornament prints by heinrich aldegrever

Central Salon of the Alexander Palace at Tsarskoe Selo, Giacomo Quarenghi, 1792–96

drawings by giacomo quarenghi classicism

Costume Drawing for Little John, Phil May

department of drawings and prints, metropolitan museum of art phil may (caricaturist)

Design for the Left Half of an Altar, Mauro Antonio Tesi, 1730–66

department of drawings and prints, metropolitan museum of art drawings by mauro antonio tesi

Design with Flowers and Rocaille Ornaments, Jean-Baptiste Pillement, circa 1760

drawings by jean-baptiste pillement rococo

Design with Flowers and Rocaille Ornaments, Jean-Baptiste Pillement, circa 1760

drawings by jean-baptiste pillement rococo

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 34 (recto), Isabella Parasole, 1610

woodcuts by isabella parasole in the metropolitan museum of art bobbin lace

Design for a Cartouche with a Coat of Arms containing a Griffin, Carlo Bianconi, between 1732 and 1802

department of drawings and prints, metropolitan museum of art carlo bianconi

Six Designs for the Decoration of Rectangular and Horizontal reliefs, Giuseppe Bernardino Bison, between 1762 and 1844

department of drawings and prints, metropolitan museum of art giuseppe bernardino bison

Six Designs for the Decoration of Rectangular and Horizontal reliefs, Giuseppe Bernardino Bison, between 1762 and 1844

department of drawings and prints, metropolitan museum of art giuseppe bernardino bison

Six Designs for the Decoration of Rectangular Reliefs, Giuseppe Bernardino Bison, between 1762 and 1844

department of drawings and prints, metropolitan museum of art giuseppe bernardino bison

Six Designs for the Decoration of Rectangular Reliefs, Giuseppe Bernardino Bison, between 1762 and 1844

department of drawings and prints, metropolitan museum of art giuseppe bernardino bison

Design for a Loom, possibly for the Ballet 'Helen of Sparta' (1913), Léon Bakst, circa 1912–1923

department of drawings and prints, metropolitan museum of art scenic designs by leon bakst

Interior of an Octagonal Room (Stage Design?), Tranquillo Orsi

department of drawings and prints, metropolitan museum of art tranquillo orsi

Interior of an Octagonal Room (Stage Design?), Tranquillo Orsi

department of drawings and prints, metropolitan museum of art tranquillo orsi

Tracing of a Ballet Costume: Woman in Ruffles, Léon Bakst, [1923]

department of drawings and prints, metropolitan museum of art scenic designs by leon bakst

Auricular Cartouche with Figures within a Strapwork Frame from Veederley Veranderinghe van grotissen ende Compertimenten. Libro Primo, 1556

'veelderleij veranderinghe van grotissen ende compertimenten', after cornelis floris renaissance

Rébus on the subject of fortune, a riddle depicted on drapery surrounded by a frame, an oval composition, Stefano della Bella, circa 1637–42

prints by stefano della bella in the metropolitan museum of art baroque

Horizontal Panel with Two Nude Boys Surrounded by Tendrils, Heinrich Aldegrever, 1549

department of drawings and prints, metropolitan museum of art ornament prints by heinrich aldegrever

Design for a Lavabo, Plate 85 from Dietterlin's Architectura, Wendel Dietterlin, 1598

wendel dietterlin mannerism

Design for a Cartouche, Plate from Dietterlin's Architecttura, Wendel Dietterlin, 1598

wendel dietterlin mannerism

Plate 5: a cartouche flanked by Apollo and Pan, from 'Nouvelles inventions de Cartouches', Stefano della Bella, circa 1647

prints by stefano della bella in the metropolitan museum of art baroque

The Piazza del Popolo (Veduta della Piazza del Popolo), Giovanni Battista Piranesi, circa 1750

etchings by giovanni battista piranesi neoclassicism

Three sphinxes climbing a vine, from 'Ornaments or Grotesques' (Ornamenti o Grottesche), Stefano della Bella, circa 1650–56

prints by stefano della bella in the metropolitan museum of art baroque

Design for a Fountain, plate 80 from Dietterlin's Architettura, Wendel Dietterlin, 1598

wendel dietterlin mannerism

Paper Theater or Diorama of an Italianate Villa and Garden, Martin Engelbrecht, circa 1730–56

department of drawings and prints, metropolitan museum of art martin engelbrecht

Festivitates Aurifabris (...) / Various Snakeryen service for Goutsmits, Sculptors, Stonecutters, and all who love the const (Plate 4), Jacob Lutma, 1654–78

johannes lutma (i)jacob lutma

Festivitates Aurifabris (...) / Various Snakeryen service for Goutsmits, Sculptors, Stonecutters, and all who love the const (Plate 7), Jacob Lutma, 1654–78

johannes lutma (i)jacob lutma

Half of an Arch [Arcus Lutii Septimi] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572

lambert zutman dit suavius master g.a.

Study of the virtuous Ladies, page 17 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 34 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 35 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 32 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 25 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 33 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 23 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 15 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 9 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 13 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 19 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 6 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 28 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

Study of the virtuous Ladies, page 20 (recto), Isabella Parasole, 1597

woodcuts by isabella parasole in the metropolitan museum of art woodcut

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